And There Were None
‘A very modern Agatha Christie for the new roaring 20s . . . secrets and lies at every turn’ Sarah Pinborough
‘Evoking the great Agatha Christie classics “And Then There Were None” and “Murder on the Orient Express,” . . . Foley builds her suspense slowly and creepily’ New York Times
‘I didn’t think Lucy Foley could top The Hunting Party, but she did! I loved this book. It gave me the same waves of happiness l get from curling up with a classic Christie’ Alex Michaelides
‘Nail-biting . . . A fabulous closed room thriller. Lucy Foley is the Agatha Christie for our times’ Kate Hamer
‘Foley’s second take on the “closed room” murder mystery confirms her status as this generation’s Agatha Christie’ Sunday Express.
Murder on the Orient Express Orient Express
Murder on the Orient Express is undoubtedly one of Agatha Christie’s greatest mystery novels.
The impossible could not have happened, therefore the impossible must be possible in spite of appearances.
Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer – in case he or she decides to strike again.
The Murder of Roger Ackroyd
The truth, however ugly in itself, is always curious and beautiful to the seeker after it.
Known for its startling reveal, this is the book that changed Agatha Christie’s career.
Roger Ackroyd was a man who knew too much. He knew the woman he loved had poisoned her first husband. He knew someone was blackmailing her – and now he knew she had taken her own life with a drug overdose. Soon the evening post would let him know who the mystery blackmailer was. But Ackroyd was dead before he’d finished reading it – stabbed through the neck where he sat in the study.
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